As part of the Night and Day recital, Veilleuse (Night Watch) was performed by violinist Madeleine Mitchell at the
Bangor New Music Festival on March 12th, 2014 in the Main Arts Building,
Bangor, LL57 2DG, Gwynedd, Wales.
Berkeley Ensemble performs Clarion Call at album launch concert
In the Royal Ballet's latest production The Art of Fugue, Michael has collaborated with Resident ChoreographerWayne McGregor to create 21st-century choreography set to Bach's 18th-century music. This exhilarating fusion took place between 7 and 15 February at the Royal Opera House as part of a mixed programme which also included the works Rhapsody and Gloria.
Michael's version uses a Mozart-sized orchestra and the piano has a prominent concertante/concerto role. On Monday 3 February, Michael and Wayne spoke about their work at an event in the Clore Studio at the Royal Opera House.
Oboe Quintet on new CD Into the Ravine
The Carducci Quartet is joined by oboist Nicholas Daniel for three world premieres written specially for them and premiered at the Presteigne Festival. Michael's Oboe Quintet 'Into the Ravine' appears with John McCabe's String Quartet No. 7 'Summer Eves' and Adrian Williams' String Quartet No. 4.
Listen, Listen, O My Child one of Archbishop's choices
In a recent episode of Private Passions, The Archbishop of Canterbury Justin Welby talked to Michael about his favourite music and the meaning of Christmas. His choices included Michael's Listen, listen, O My Child, Bach, Britten and music from the late medieval period.
Meditations and Elegy at Britten in Oxford Festival
The third movement from the Concerto for Oboe, Elegy, was performed by the Oxford Chamber Orchestra on 30 November at the University Church Oxford.
Michael Berkeley's Meditations with the Southbank Sinfonia and Nicholas Cleobury (conductor) was performed at St. John's Waterloo on Thursday 19 September, and at Northwall, Oxford on September 20.
On Sunday 24 November, BBC Radio 3's Private Passions featured Britten's music and was accompanied by a two-page interview in the Radio Times.
Michael introduces Britten at Ardingly College
As part of the Benjamin Britten Centenary Concert, Ardingly College welcomed Michael, Britten's Godson, to open the concert with a short talk about the composer. Lord Berkeley's own composition Listen, listen, O My Child, written for the recent Enthronement of the Archbishop of Canterbury, was also performed. The Independent described it as "a musical highlight, a soaring anthem."
Benjamin Britten: Sinfonietta op. 1
Britten: A Hymn to the Virgin
Michael Berkeley: Seven
Britten: Friday Afternoons selection
Michael is pleased to announce that he has joined the Rayfield Allied agency. Established in 1971, Rayfield Allied is a highly respected independent agency for classical musicians, including conductors, singers, instrumentalists and composers. Its roster includes many distinguished artists, including the composers Harrison Birtwistle, Steve Reich and David Sawer.
ABC radio's Andrew Ford talks to Michael
Newly appointed to the Lords, Michael sat down with Australian radio host Andrew Ford in the House of Lords to speak of the enduring importance of the arts and music in public life, finding his own unique musical voice among the holy cacophony of his household companions, and the nature of great artistic brains. The interview was broadcast on 28 September, but you can still download and listen from the ABC website.
Touch Light was performed in Rundetaarn, Copenhagen on September 15th. It was also on October 5th in Holstebro with Janne Thomsen (flute) and Michala Petri (recorder).
Wessex Graves at Gregynog
Royal harpist Hannah Stone and superb young tenor Nicky Spence performed a recital including extracts from that historic Pears/Ossian Ellis performance at Gregynog on 4 September, as well as Wessex Graves (for tenor and harp) written for Pears and Ellis by Michael Berkeley.
Ode - In memoriam at Presteigne Festival
On Tuesday 27 August, Ode - In Memoriam was performed at St Michael's Church, Discoed, as part of the Presteigne Festival.
Also on the programme in the Cello In The Afternoon concert was:
Johann Sebastian Bach - Suite in D minor, BWV1008 (Huw Watkins Prelude)
Jon Opstad - Distant Places (World premiere of a Presteigne Festival commission)
Johann Sebastian Bach - Suite in E flat, BWV1010
New fanfare heralds Danish statue
Michael was commissioned by the town of Holstebro in Denmark to create a fanfare to accompany the the daily rising from the ground of their wonderful Giacometti statue. It descends every night for security reasons. This brought to mind the statue coming to life in Don Giovanni so the Champagne Fanfare is inspired by the opening phrase of the Champagne Aria from the opera.
Champagne Fanfare has been recorded for Holsteboro by Onyx Brass and Michael has also re-arranged it for the National Wind Youth Orchestra's summer tour to Switzerland.
Abstract Mirror at Lake District Summer International Festival
On Saturday 10 August, Abstract Mirror for string quintet was performed by the Chilingirian Quartet at the Ambleside Parish Church. Also performed was be the Beethoven Quartet in F minor and Brahms Sextet in B flat.
The Trasimeno Festival in Italy was the venue for the first performance of the new work Three Cabaret Songs to words by Ian McEwan. These songs were commissioned by Angela Hewitt who performed them with the renowned Canadian Soprano, Barbara Hannigan, on July 3rd 2013.
New Archbishop Anthem is well-received
Michael's new Anthem for the Enthronement of the Archbishop of Canterbury, Listen, listen, O My Child, has received widespread praise with The Independent calling it 'a musical highlight... a soaring anthem'. Fred Hiltz, the Archbishop of Canada, commented, "It began as a gentle whisper. 'Listen, Listen, O my Child, Listen carefully to your teacher's guidance. Incline the ear of your heart, Receive willingly and carry out effectively your loving Father's advice.' That gentle whisper swelled into a chorus that reverberated in every alcove in that vast cathedral. And then as powerfully as it had spoken to everyone in that great congregation, it quietened to a whisper again."
Michael was introduced to the House of Lords on March the 26th as Lord Berkeley of Knighton, CBE.
He will sit on the cross benches as a non-party political peer. Michael is a passionate advocate for the arts, contemporary music and music education. Commenting on the news, he said he is "very honoured" to be appointed. "I am particularly pleased that the Appointments Commission was keen to increase representation in the field of music and the arts," he continued.
The appointment, which has to be approved by the Queen, is made by the Prime Minister on the recommendation of the House of Lords Appointments Commission. The entrepreneur and 'digital champion' Martha Lane Fox, who at 40 has become the youngest female peer, joined the House at the same time as Michael.
Michael will also be at the Cheltenham Science and Music Festivals, the Lake District Summer Music Festival, the Trasimeno Festival in Italy (where Barbara Hannigan and Angela Hewitt will premiere the new Three Cabaret Songs to specially written words by Ian McEwan), The Oxford Britten Festival and the Presteigne Festival.
Nicholas Daniel, The Carducci Quartet, engineer and Michael Berkeley following a recording of the Oboe Quintet
Michael and Catherine Wyn-Rogers discuss English music
On Good Friday 29 March, Michael and Catherine Wyn-Rogers met as part of the Easter at King's College Cambridge Festival. They discussed the concert that followed later in an evening of extraordinary 20th century English gems: Britten's Sinfonia da Requiem, Lennox Berkeley's Four Poems of St Teresa of Avila and Howells' Stabat Mater. The concert was performed by Catherine along with John Daszak (tenor), the Philharmonia Chorus, BBC Concert Orchestra and Stephen Cleobury (conductor).
Britten's moving Sinfonia looks ahead to his monumental War Requiem. Berkeley's work centres on the love between Man and God in amatory style. Howells' masterpiece, inspired by the Pietà of Michelangelo is his last and arguably finest choral work, contrasting desolation of the spirit with supreme choral glory. For more information, download a flyer here.
Nash Ensemble give second performance of Three Rilke Sonnets with Claire Booth
The evening began at 6.00pm with the pre-concert event Composers in Focus. The concert programme followed at 7.30pm and included:
David Matthews: Clarinet Quartet
James Francis Brown: A Dream and a Dance for flute, clarinet, harp & string quartet (Nash commission premiere)
Michael Berkeley: Three Rilke Sonnets
David Matthews: A Blackbird Sang (flute, violin, viola and cello — Nash commission premiere)
Julian Anderson: Prayer for solo viola
David Matthews: The Sleeping Lord
Performed by Claire Booth (soprano), Lawrence Power (viola), Philippa Davies (flute) and Richard Hosford (clarinet)
Fierce Tears II at Luton Music Club
James Turnbull gave a performance of Fierce Tears II at Luton Music Club on March 18 2013. Roger Wright talked to Petroc Trelawny about British Music, with music provided by The Berkeley Ensemble. James has also just recorded Three Moods for unaccompanied oboe on the Champs Hill Records Label (CHRCD051). These were originally written for Janet Craxton who gave the first performance in Knighton in 1978.
Michael works with young composers on new string quartets
Michael and members of the Berkeley Ensemble were joined by young composers as they worked on new works for string quartet. The event followed the Ensemble's concert at The Forge, Camden on 10 February 2013 at 11am. Composers were invited to submit works for string quartet of up to eight minutes, preferably accompanied by a recording of either a live performance or electronic realisation. For more details, please download a flyer here.
How the 9 million people in this country (yes – that's 9-10% of the population) who wrestle with hearing problems but do not get amplification could be risking other cognitive impairment and even dementia, according to the latest research.
How (yes, you have guessed) the level at which we listen to music (particularly on ear buds and particularly distorted pop sounds) is, according to the leading researcher in the field) "a time bomb of hearing loss".
Michael made this programme purely because if he can help stop just one person from undergoing the hearing loss he suffered (through GP ignorance of the subject) it will have been worthwhile.
It is ultimately a redemptive, if frightening, programme because composers can write from their head but also because the brain has the plasticity to re-wire, re-process the hearing of music and filter out distortion and especially if its owner is a musician.
Moray Welsh performs Iberian Notebook in Hay
Moray Welsh performed Iberian Notebook along with two of Bach's cello suites at Richard Booth's Bookshop in Hay on Wye on Sunday 25 November 2012. The concert was preceded by a screening of the inspiring Rostropovich film by John Bridcut which features Moray.
Continuing his birthday celebrations, Nicholas Daniel was joined by the Carducci String Quartet to perform Michael's new Oboe Quintet 'Into the Ravine'. The line-up of artists and repertoire also included harpsichordist Maggie Cole, who joined Nicholas for Bach, and the Haffner Wind Ensemble who performed Ravel's enchanting Mother Goose Suite.
Nicholas wrote, "In addition to the fabulous pieces already programmed, a number of composers are writing me musical birthday cards to play. It will also be a family occasion as I'll be welcoming my two sons Alastair and Patrick on stage to perform some West End stage songs."
Nicholas Daniel & Friends was on Thursday, 4 October 2012 at King's Place.
Fierce Tears in Berkeley Ensemble 'Stealing, Borrowing and Remembering' concert
On 19 September 2012, the Berkeley Ensemble launched a series of five concerts at the Forge, Camden with an evening of music that included Fierce Tears II. Also on the programme was Poulenc (Sonata for clarinet and bassoon), Lennox Berkeley (Quintet for piano and winds), Woolrich (Favola in Musica) and Mozart (Quintet for piano and winds).
The Stealing, Borrowing and Remembering series of concerts explores how two twentieth-century masters, Igor Stravinsky and Lennox Berkeley, responded to the music of the past, re-working it in their own compositions before ultimately becoming historical figures themselves for the generation that followed. Download a flyer here.
The Berkeley Ensemble is named after Michael and Lennox Berkeley. It champions British music and unfairly neglected works alongside the standard chamber music repertory.
New Oboe Quintet at Leicester International Music Festival
The following day (Monday 27th August 2012), Gillian Keith, with Simon Lepper at the piano, sang Nettles, also in St. Andrew's Church. Later that day at 7pm Nicholas Daniel performed Snake for Cor Anglais. Later in the evening in a concert at St. Michael's Church, Discoed, Gemma Rosefield played Ode - In Memoriam.